#Studio one audio recording is disabled pro
#Studio one audio recording is disabled software

Inputs 13/14 and 15/16 are stereo line level inputs and then there are SPDIF In/Out ports, MIDI In/Out and a USB connector. There are 12 XLR/TRS combo sockets, four on the front panel and eight on the back. Its metal chassis and housing are reassuringly tough too.

The Studio Capture's narrow 2U form factor looks a little unorthodox, but it makes it a breeze to shove it in a bag and carry it along to your makeshift studio.

But if its 16 audio inputs aren't enough you can always buy a second unit and employ them in unison. Provided you don't go overboard miking up every single piece of percussion, from snare drum to spoons, the Roland Studio Capture can easily handle an entire rhythm section. It's a very capable audio interface in its own right but by making it the centrepiece of additional Universal Audio infrastructure you'll enjoy a setup that's on a whole different level.

The Universal Audio Apollo X4 is that foundation stone. If you do have more money to spend, and even greater ambition, then investing in an audio interface that will eventually form the backbone of a pro-level recording system is a prudent move. There's plenty of analogue I/O too, so you can quickly get up to speed without having to spend more. It's unusual to find a Thunderbolt 3 equipped audio interface at this price point and its latency figures are lower than a snake's belly in a wagon rut. The Focusrite Scarlett 18i20 3rd Gen is a real contender but the balance just tips in favour of the Presonus Quantum 2626. If you're new to ambitious recording projects like this, then you're going to need an interface that's simple to set up, easy to use, capable and relatively inexpensive. The best multi-input audio interfaces right now? And the best budget audio interfaces if you need something cheaper.Explore more of the best audio interfaces for every application.For this guide we're going to stick with interfaces that boast a healthy number of XLR sockets and internal preamps from the get-go, together with options for further expansion. Provided, that is, you have the expertise and the budget. This may sound limiting but actually these devices enable you to build enormously capable, if complex, studio systems. Yes, their manufacturers may quote numbers like 32x32 I/O but you're expected to add preamps, patchbays, effects units and so on via communication protocols such as ADAT Lightpipe, SPDIF and audio-over-IP. Often the centrepiece of a studio, theyвЂ™re much more about digital audio conversion, flexibility and expansion. The headline feature of most entry-level audio interfaces will be a couple of XLR inputs and a corresponding number of preamps, but high-end audio interfaces are different. Why do some interfaces boast, for example, 32 inputs when they clearly only have two TRS sockets on the front panel and two XLR sockets round the back? Where do you plug your remaining 28 mics in? Let's clear up one potentially confusing feature.

Life just gets sweeter with a high-end audio interface.

#Studio one audio recording is disabled software

Most mid- to top-end audio interfaces can be managed from within your DAW via a software plugin too, which gives more granular control and will draw the envy of your friends. Preamps are quieter, level LEDs become more numerous, screens get bigger and opportunities for further expansion grow.

#Studio one audio recording is disabled pro

Second, you'll have more outputs, which can be useful for additional monitoring, headphone mixes and routing outboard effects and treatments such as reverbs and compressors.ДЄs the number of ins and outs increase so do the pro features. First, and rather obviously, you'll have access to more inputs, which means you can plug more stuff in вЂ“ usually mics and instruments. In a minute we'll take a look at why you should even consider recording live, but before that let's discover the appeal of a more grown up audio interface. Worse still, if you're fortunate enough to have a drummer in the band who loves the joyful thud, tsh, tsh of an acoustic kit then it's going to be a sizable shortfall. Unless you're a solo act or a duo, it will quickly dawn on you that there's a shortfall. Count the inputs on your humble audio interface (it won't take long) and then take a gander at your band.